Author: Tony Kushner
Published: 1993 (Pulitzer Prize winner)
Synopsis: Three threads of American living gradually interweave in the cold new era of Reagan and in the face of the catastrophic AIDS crisis. Louis is confronted with his own cowardice as he abandons his lover Prior to struggle with his diagnosis of AIDS alone. Mormon couple Harper and Joe struggle with the constraints of their religion as sexuality and addiction collide. Roy Cohn, a New York arch-conservative lawyer responsible for the death of Ethel Rosenberg, refuses to submit to the label entailed by his deteriorating health.
What moved me: it is incredibly difficult to articulate a single element of this work that is not breathtaking. I think, though, Kushner’s note about the staging is worthy of reproduction here for the perfect framework it creates for the play.
“The play benefits from a pared-down style of representation, with minimal scenery and scene shifts done rapidly (no blackouts!), employing the cast as well as stagehands – which makes for an actor-driven event, as this must be. The moments of magic – the appearance and disappearance of Mr Lies and the ghosts, the Book hallucination, and the ending – are to be fully realised, as bits of wonderful theatrical illusion – which means it’s OK if the wires show, and maybe it’s good that they do, but the magic should at the same time be thoroughly amazing.”