Author: Will Eno
Synopsis: This collection of five short plays is explained best the Writer’s Note.
“The five short plays that make up Oh, The Humanity and other good intentions move toward feeling by way of thought, and toward gratitude by way of loss. These largely sane plays feature people alone or in pairs, or both, attempting to present themselves in the best light, or ultimately, desperately, in any light. Inadvertently vulnerable, or unconsciously callous, or both, the characters here realise that they are stuck in a body that will fail, and they try to put the best face on it. They are, at times, like all of us, unsure of who they are, what they want, and what exactly they’re on the way to. Is it a funeral or a christening? Is it both or neither? Though this might all seem hazy and conditional, it might all in fact be painstaking and absolute. This is life, for the Problematical Animal.”
What moved me: Unaccountably, I googled “Oh, the humanity” to find a picture to accompany this post and came across this. It is a recording of Herbert “Herb” Morrison, an American radio reporter, reporting on the Hindenburg disaster, a catastrophic fire that destroyed the LZ 129 Hindenburg zeppelin on May 6, 1937, killing 36 people. If you go to the link and listen to the recording, if you listen to Morrison unravel as he watches this devastation unfold before him, the framework for this play crashes to earth much like the zeppelin must have.
What is joyous, though, is that being aware of this context is totally unnecessary to encounter this play. I find a lot of comfort in this fact – that every time we encounter the world meaning will be made, regardless of whether that meaning was intended.