Author: Mark Ravenhill
Synopsis: “The sexual violence of Shopping and Fucking explores what is possible if consumerism supersedes all other moral codes. To this effect everything, including sex, violence and drugs, is reduced to a mere transaction in an age where shopping centres are the new cathedrals of Western consumerism.” (sourced from good ol’ Wiki)
What moved me: I’ve just finished reading an article by VCA’s Alyson Campbell about the importance of affect theory for tapping into a “body-first” way of knowing to understand theatre both critically and corporeally. Although she explicitly references Crimp and Kane in this analysis, I inevitably read it through the prism of today’s play.
This work does not, I think, reduce language to have an equivalent expressive power to gesture (a hallmark of the Crimp/Kane style focuses on the materiality of speech). It does, however, generate an intensity of feeling that makes me aware that my revulsion to its depiction of sexual violence is shaping my critical judgement. Is it a bad play because it makes my stomach churn? I think it is perhaps the opposite. It is successful because my body tried to physically reject it.
Through rejecting the subject material because of the effectiveness with which it was conveyed, Ravenhill’s work has made me distinguish between content and form in a way I don’t think I have before.